Tanzanian architect quits job to pursue painting career

This post explores the remarkable journey of Tanzanian painter Undare Mtaki, who left a budding career in architecture to pursue art full time. It covers his early struggles, the influence of childhood visions on his creative practice, breakthrough exhibitions, notable sales, and his plans to build a collaborative studio.

The perspective is that of an industry professional with decades of experience in architecture and design.

From architecture to art: a risk framed by spatial thinking and color

Undare Mtaki graduated in 2019 with a degree in architecture. He made the decisive move to leave practice after only three months in Dar es Salaam.

Architects often possess an innate sensitivity to space, light, pattern, and composition. This sensitivity translates powerfully into fine art.

Why he left, and how he started

Mtaki’s decision initially baffled his parents. Giving up a stable job so soon seemed reckless.

Financial constraints were real. He began with under $500 and relocated temporarily to Mwanza to lower living costs while developing his work.

Those early months of austerity and focus are classic bootstrap moves for many creative professionals. They often face these challenges when trading predictability for passion.

Mtaki’s inspiration is rooted in vivid childhood visions of colors, patterns, and light. This visual language now informs paintings that fuse spiritual motifs, natural forms, and African traditions.

Market validation: exhibitions, collectors, and cultural resonance

Commercial success became proof that deeply personal, culturally resonant work can also be financially viable. His exhibitions and commissions show how subject matter that speaks to collective memory and spirituality can attract both collectors and institutions.

Breakthrough moments and notable sales

One milestone was the exhibition Shades of Magufuli, an homage to the late Tanzanian president. The show drew high-profile visitors, including members of Magufuli’s family.

Financially, the show generated $6,800 from 15 paintings. This was an important affirmation for a young artist.

Later, a portrait of President Samia Suluhu Hassan sold for $8,500 to a prominent businessman. This demonstrated the market’s willingness to invest in culturally significant contemporary art.

Mtaki’s clientele has diversified to include collectors and wellness retreat centers. They are attracted by the spiritual and restorative qualities of his art.

This crossover between private collections and commercial wellness environments highlights new revenue streams for artists.

Key client types include:

Scaling the practice: collaborative studios and global reach

Mtaki plans to open a collaborative studio in Tanzania. He also hopes to expand his influence internationally.

Collaborative spaces can incubate cross-disciplinary projects and enable shared resources. They create a public-facing hub for exhibitions and residencies.

Lessons for architects and creatives

From my perspective as an architect, Mtaki’s story offers transferable lessons:

Undare Mtaki’s path highlights that art and architecture share essential values. Both fields emphasize form, light, and human experience.

With dedication and cultural authenticity, creative work can be meaningful and financially sustainable.

 
Here is the source article for this story: Life in art: Tanzanian architect who quit job to pursue painting